With this tool, you can add layers to the video, which will allow you to edit with precision. For a beginner, it will be very difficult to use Adobe After Effects because it is a little complex. It consists of options and affects more than we can imagine. Why Do You Choose Adobe After Effects to Add Motion Blur EffectĪdobe After Effects is a very vast tool. Best Video Editor to Blur Video – iMyFone Filme How to Motion Blur Video in Adobe After Effects thinking a higher shutter speed is the cause of judder (rather than just amplifying/mitigating it) and getting confused/frustrated when using 1/48 at 24 fps and still experiencing it.Part 1. In hindsight, I think what you say about judder being more obvious with shutter speed might be the red herring for a lot of people i.e. So is it actually technically impossible / irellevant to have a shutter speed slower than the frame rate? the frame rate would need to be slower for each frame to receive a longer exposure time. Theoretically, each frame will alway being moving on at 60 fps, so will only ever receive an exposure of 1/60 max before moving onto the next frame i.e. assume 1/30 at 60 fps is only really exposing 30 fps (even though the camera is recording 60 fps) so presumably it will look identical to something shot 1/30 at 30 fps? What’s the intended effect of a 720 degree shutter angle i.e. Thanks Jarle! I will stick to 1/60 at 60 fps then 🙂 As the original article says, there are many reasons why you wouldn’t always want that. You shouldn’t– if you shoot 50 fps for 50 fps playback, use a 360° shutter. If you want natural looking footage, that is. In this case that widely held but false belief is that you should always use a 180° shutter. I will have to disagree, since The Oxford Dictionary says that one meaning of the word Myth is “A widely held but false belief or idea”. Some commented (after reading the Wipster article) that it’s not a myth. Jarle’s verdict: 25 fps looks best at 1/50 second, and so does 50 fps, but 50 fps at 1/50 second is smoother and more natural looking, so that’s my choice. Shot by Dag Frode “One-take” Olsen on a Canon EOS C300 Mark II. In my opinion, the 50 fps 1/50 second (360 degree shutter) looks best. I guess it’s less “filmic” or “cinematic” since it doesn’t replicate the jerky movement that cinema has had for decades, but I don’t want my footage to look “cinematic”, I want it to look good. I find the smoothness of 50 fps so much nicer to watch than the stuttery/jerky/juddery 24, 25 and 30 (29.97) fps. See how the motion blur for 1/50 second is exactly the same, and looks good, for 1/25 second and 1/50 second shutters-you may want to add: of course. Here’s a video of me bouncing a tennis ball with a racket (yeah, it’s a squash racket, but that’s what I had at hand). In my opinion, 50 fps yields much smoother and more natural movement. I shoot at 50 fps to avoid the stutter/judder that comes from 24 and 25 fps video. The point of the video is to show that motion blur looks natural when the shutter speed is close to 1/50 (or 1/48) second, and will look more unnatural the more you deviate from this shutter speed.
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